High Noon (1952) [Blu-ray]
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close  High Noon (1952) [Blu-ray]  (AFI: 40)
 (currently for information only)
Rated:  NR 
Starring: Gary Cooper, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Grace Kelly, Otto Kruger.
Director: Fred Zinnemann
Genre: Action | Drama | Thriller | Western
DVD Release Date: 09/20/2016

Tagline: The story of a man who was too proud to run.

Gary Cooper won the Oscar for the Best Actor in this classic tale of a lawman who stands alone to defend a town of righteous cowards in the greatest showdown in the history of cinema. The film also stars one of Hollywood's most beloved and prolific actors, Lloyd Bridges, and marks the first starring role for a beautiful young actress and internationally adored screen legend--Grace Kelly.

A town marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.

Storyline: On the day he gets married and hangs up his badge, lawman Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station... Written by Man_With_No_Name_126

Reviewer's Note: Reviewed by Dr. Svet Atanasov, September 29, 2016 Winner of multiple Oscar Awards, including Best Actor and Best Film Editing, Fred Zinnemann's "High Noon" (1952) arrives on Blu-ray courtesy of Olive Films. The supplemental features on the disc include an original trailer for the film; new featurette with editor Mark Goldblatt; new featurette with historian Larry Ceplair and screenwriter Walter Bernstein; and more. The release also arrives with an illustrated booklet featuring Nick James' essay "Uncitizened Kane". In English, with optional English SDH subtitles for the main feature. Region-A "locked".

The sheriff

Fred Zinnemann's western High Noon has been discussed so much during the years that at this point there is nothing that one can write about it that has not already been written by someone else. One can probably only add that its 'classic' status is certainly deserved.

Sheriff Will Kaine (Gary Cooper) has found the perfect woman (Grace Kelly) to settle down with and is now ready to retire. She has asked him to do so and he has given her his word that as soon as they are pronounced husband and wife he will take off his badge and call it quits.

But on his final day on the job Kaine is told that his replacement will be late and that the notorious gunslinger Frank Miller (Ian MacDonald) is coming back to town. This is bad news for Kaine because a few years ago when he cleaned up the town he placed Miller behind bars and he vowed to put a bullet in his head.

Miller is due to arrive on the noon train. He will be greeted by his three best men (one of them played by a very young looking Lee Van Cleef) and then together they will go looking for Kaine.

The local residents urge Kaine to rush and leave town so that he can avoid confrontation with Miller, but he decides to stay and deal with the gunslinger once and for all. Shortly after, his wife abandons him, and then the town's residents agree that it will be in their best interest to distance themselves and do the same.

The film has a very simple message: It is worth fighting and even dying for what is right. But during the years there have been a number of very political interpretations of it that have been used to reframe it in different ways. One of these interpretations suggests that Miller portrayed the infamous Senator Joseph McCarthy and his gang was the HUAC (the House Un-American Activities Committee), while Kaine portrayed the film's writer, Carl Foreman, who was a member of the Communist Party and was called before HUAC during the early 1950s. So the environment in which the clash between Kaine and Miller occurs apparently imitated the polarized and paranoid environment in which Foreman lived. There is another popular interpretation which suggests that the odd conflict between Kaine and the town's residents actually reflected the division between people like Foreman and other communists who abandoned them and later on became informers and witnesses for McCarthy's people. So in this interpretation the focus of attention is actually on the erosion of trust between the communists as well as their bitter disillusionment.

It is also worth mentioning that during the Cold War era the film resonated very differently with folks living behind the Iron Curtain. Basically, Kaine was seen as a promoter of the strength of American individualism and his stance was interpreted as a veiled denouncement of the mass fear and hypocrisy that kept the communists and their lackeys in power for decades. So in this case the film turned out to be quite effective as a pro-American piece with specific and surprisingly relevant political points.

Ultimately, however, the film's strength isn't in its ability to inspire political debates. Its technical qualities -- from the brilliant decision to shoot in real time to the careful framing choices to the great management of Dimitri Tiomkin's score and the manner in which it enhances the tension and drama – are undeniably excellent.

The film is loosely based on John W. Cunningham's story "The Tin Star". According to various reports, however, producer Stanley Kramer bought the rights to the story after he discovered that Foreman's script actually had plenty of similarities with the original story.

There have been some drastically different interpretations of the political overtones in Fred Zinnemann's High Noon, but I personally find them largely irrelevant now. The film is rightfully placed amongst the all-time greatest classics of the western genre because of its technical qualities, which are quite simply brilliant. Olive Films' new Signature Edition of High Noon is sourced from an excellent recent 4K master and will likely remain the film's definitive presentation on the home video market. VERY HIGHLY RECOMMENDED.

Cast Notes:
Gary Cooper (Marshal Will Kane),
Thomas Mitchell (Mayor Jonas Henderson),
Lloyd Bridges (Deputy Marshal Harvey Pell),
Katy Jurado (Helen Ramírez),
Grace Kelly (Amy Fowler Kane),
Otto Kruger (Judge Percy Mettrick),
Lon Chaney Jr. (Martin Howe [as Lon Chaney]),
Harry Morgan (Sam Fuller [as Henry Morgan]),
Ian MacDonald (Frank Miller),
Eve McVeagh (Mildred Fuller),
Morgan Farley (Dr. Mahin - Minister),
Harry Shannon (Cooper),
Lee Van Cleef (Jack Colby),
Robert J. Wilke (Jim Pierce [as Robert Wilke]),
Sheb Wooley (Ben Miller).

IMDb Rating (11/27/17): 8.0/10 from 85,04 users

Additional information
Copyright:  1952,  Republic Pictures
Features: 
  • Trailer - original trailer for High Noon. In English, not subtitled. (2 min, 1080p).
  • A Ticking Clock - in this new featurette, editor Mark Goldblatt (The Terminator) discusses the unique narrative structure of High Noon and its editing (with some excellent comments about the presence important role of clocks throughout the film). In English, not subtitled. (6 min, 1080p).
  • A Stanley Kramer Production - in this new featurette, filmmaker and film historian Michael Schlesinger discusses Stanley Kramer's work as a producer and the socio-political environment at the time when he was most successful. In English, not subtitled. (14 min, 1080p).
  • Imitation of Life: The Blacklist History of High Noon - in this new featurette, historian Larry Ceplair and blacklisted screenwriter Walter Bernstein discuss the production history of High Noon, Carl Foreman's blacklisting, and the McCarthy era. In English, not subtitled. (10 min, 1080p).
  • Oscars and Ulcers: The Production History of High Noon - this new visual essay, narrated by Anton Yelchin, focuses on the production history of High Noon. Included with the essay are plenty of very rare and archival promotional materials. In English, not subtitled. (12 min, 1080p).
  • Uncitizened Kane - presented here is a text-format essay by Sight & Sound editor Nick James. (1080p).
  • Booklet - an illustrated booklet featuring Nick James' essay "Uncitizened Kane".
Subtitles:  English SDH
Video:  Codec: MPEG-4 AVC (34.98 Mbps)
Resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Audio:  ENGLISH: DTS-HD Master Audio 2.0 (48kHz, 24-bit) NOTE: Mono is encoded in a dual-channel configuration
Time:  1:25
DVD:  # Discs: 1 -- # Shows: 1
ASIN:  B01I6RZ6XO
UPC:  887090600200
Coding:  [V5.0-A]5.0 MPEG-4 AVC
D-Box:  No
Other:  Producers: Stanley Kramer; Writers: (screenplay), John W. Cunningham (magazine story "The Tin Star"); Directors: Fred Zinnemann; running time of 85 minutes; Packaging: Slipcover; Chapters: 24.
Rated PG for some western violence, and smoking.
One of the American Film Institute's Top 100 American Films (AFI: 33-27).

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